Lies & Secrets—The Lifeblood of Great Fiction
The prolific writer this week is not one of my own. This week I am sharing a blog by Kristen Lamb about why we should develop characters with both lies and secrets.
Image courtesy of Nebraska Oddfish via Flickr Creative Commons
It’s tempting for us to create “perfect” protagonists and “pure evil” antagonists, but that’s the stuff of cartoons, not great fiction. Every strength has an array of corresponding weaknesses, and when we understand these soft spots, generating conflict becomes easier. Understanding character arc becomes simpler. Plotting will fall into place with far less effort.
All stories are character-driven. Plot merely serves to change characters from a lowly protagonist into a hero….kicking and screaming along the way. Plot provides the crucible.
One element that is critical to understand is this:
Everyone Has Secrets
To quote Dr. Gregory House, “Everybody lies.”
All good stories hinge on secrets.
I have bodies under my porch.
Okay, not all secrets in our fiction need to be THIS huge.
Secret #1—“Real” Self Versus “Authentic” Self
We all have a face we show to the world, what we…
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