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Now that your story is ready to put out there, if you are still planning to get your book into a traditional publishing company, the only way you are going to get your book in front of one is through your query letter.

What is the Difference Between a Query Letter and a Book Proposal?

A query letter is a request for a publisher to read your proposal for reading your fiction book and a book proposal is a proposal for reading your nonfiction book. A query letter is usually written after a fiction book is written and a book proposal is often written before the book is written.

The Novel Query

According to the NY Book Editors Website, This one page document of about three hundred words is most important, and in some ways even more important to than the actual book This letter is sent to literary agents (and some publishers directly) to woo them into checking out your book.

Don’t put your query on pastel paper with stamped roses, it won’t get you further than the trash can. Instead, follow this tried and trusted formula.

Format with your address at the top of the page, right justified. Next, type the agent’s address, this time left justified.

Use a personalized greeting where you acknowledge the agent by name.

Keep the body of your query letter from three to five paragraphs.

In paragraph one, you hook the literary agent. Share any connection you have with the agent. Did you meet this person at a conference or know someone in common? At least be able to mention that you’re a fan of specific authors that this person represents. The job of this first paragraph is to get the agent reading.

After you hook the agent, share the title and genre of your book and your book’s word count.

Now that you’ve hooked the agent, summarize your story in paragraph two. Discuss your main characters, what happens, and what choice they must make now. But don’t give away the entire plot. Leave the agent wanting more by structuring this paragraph in a cliffhanger.

In the next paragraph, add your bio, but make sure it’s relevant to writing. Impress your agent with writing awards and credibility or related writing experience. Limit your bio to no more than two sentences.

Use short paragraphs and short sentences, when possible. Imagine this: your letter is one of hundreds that your potential agent must read through this week. (It probably is). Make it as easy as possible for them to skim through your letter.

Write in a tone similar to your novel’s narrative. Your query letter should evoke the same tone as your novel. If your book is funny, make your query letter funny. Is it ornate? Use elegant but not remember not to be wordy.

Always Follow Submission Guidelines

Before sending any letter, be sure to follow any submission guidelines. Not every agent wants the same information, so don’t think one form of query fits all. Some may only accept email submissions while others accept both.

Address each agent specifically. Never use “to whom it may concern” if you want anyone to actually request your novel.

If possible, let the agent know why you are pitching your book to him/her. Again, if you love a specific author that this agent represents in a related genre yours, let the agent know that you would love to have the same agent as THAT author.  

Give Credit Where Credit is Due 

Mention that your book has been edited by a professional editor. Agents love a polished manuscript. They notice writers who’ve taken the extra step of getting their manuscript edited by a professional. By doing this, you as the writer appear more professional and serious. This will add more weight to your query letter.

Remember that querying agents is a hit or miss proposition even when you have done your homework on the agent. To find the right agent at the right time, you often need to send out numerous query letters. If you follow these recommendations, you still may not be picked up by a specific agent. There are many reasons why an agent doesn’t pick you up and it probably doesn’t have anything to do with you personally so don’t take it personally. Just keep sending out either written or emailed queries and soon someone will ask to see your novel.


One of the biggest roadblocks new writers face, especially if they are writing about something personal and important to them, is the fear of writing their own book biography or bio. Putting yourself on paper, and exposing your story to the world, can certainly be intimidating because it takes a lot of courage to bring your experiences and narrative to a broad audience.

Don’t worry. Every writer goes through this, and you can too! Just keep the following in mind when these apprehensions arise, so you can continue to move forward, and add your own unique voice to the literary world.

It’s Your Story

When your story is in print, it will linger well after you have sent your final draft to your partner publisher. Your story is something you can share with friends, family members, loved ones, and the world as a whole), and is a piece of you that will truly last a lifetime. So lay your fears to rest, and leave your mark on this world, by getting your words in print so they can resonate for years to come!

It’s Therapeutic

Many people don’t know this, but just before I determined that I was going to focus on writing my novels, I was going through severe depression. Over the course of a year I lost my job. My Husband lost his job. We lost our car, and we lost our home. I went to two psychologists who suggested that I journal my anxieties.

For me, writing isn’t just a relaxing activity. It was a healing exercise that brought me peace. Writing helped me work through my own issues and allowed me to explore the ideas that I had for writing my novels and nonfiction stories.

By writing down my experiences and thoughts and putting into words any coinciding emotions that popped into my mind, I was able to solidify those thoughts into print both into fiction and into nonfiction.

The Power to Connect with Others

Once I had my first book done, I realized that I had to create a bio for that book. Because I had to deal with depression and anxiety, I was hesitant of putting who I thought that I really was out there to my readers. I had what I realize now is what is called “the imposter syndrome.”

What I hadn’t realized was that countless people have had similar experiences to my own. They don’t see themselves as worthy of calling themselves an author. This is especially true with authors who are writing their first novels. What do you write? How do you write anything that will impress the readers? Who cares if you have three kids, a cat and two dogs? Who cares which part of the country you reside? Who cares that you graduated from a now defunct college?

Who cares? Well, if your potential reader has children, pets, or lives in your part of the country, that reader might just identify with you. If the same person identifies because he or she went to the same college, this person might also identify with you because they see you as human.   

Remember that you have the ability to bring comfort, camaraderie, and joy to a large audience. Your audience identifies with you. If your audience has any inkling of wanting to purchase your book, your bio just might be what convinces they should read this book.

What Should Be Included in Your Bio?

Be prepared to write three different versions of your bio. Write about yourself in the third person. Write a lengthy bio for your website, proposals, interview sheets and media kits. Write a medium length bio for your queries (more about this in next week’s blog post!), guest spots on other websites and shorter marketing material. Finally write a short bio to include in your signature line and limited character social media sites.

The easiest place to begin writing your bio is with a draft of your longest bio. Start with your longest writing accomplishments. Write down everything you can think of that you have ever written especially if this is your first book. Include that poem that you wrote for the third grade and the writing prize you won as a young author in middle school. Include the inspiration of how and why you started writing fiction. If you have written previous books and you are including them in your bio, be sure to put the titles in italics rather than in quotes. If you get any writing awards (or awards related to your subject matter), be sure to include them as well. Put your demographics at the end of your bio after you’ve established yourself as a writer. If you have a degree, be sure to include your level of education. With each subsequent book or editions, be sure to update your bio to include that information.

How Should You Write Your Bio?

Before editing your long bio, be sure to look over the bios of other authors and emulate the ones you like. In addition, in writing your shorter bios, look at those written by others for creative ideas especially in your genre of ways they write their bios.

When you have finished your bio, read it out loud and if possible, have another author in your genre read over your bio to look for ways you can improve your bio.

Now we are ready for the next part step in the marketing process if you’re writing to an agent or publisher. We’ll cover that next week.


The Difference Between a Query Letter and a Book Proposal

Before you write to either a publisher or to an agent, it is important to know the difference between a query letter and a book proposal.

A query letter is a request for a publisher to read your proposal for a request for reading your fiction book and a book proposal is a proposal for a request for reading your nonfiction book. A query letter is usually written after a fiction book is written and a book proposal is often written before the book is written. Since you have written a book of fiction, if you are going the traditional publishing route, you will be writing a query letter.

Of course, you no longer have to go the traditional publishing route. Many people are self-publishing or going through small press publishers or even doing what is called hybrid publishing which is a cross between traditional publishing or self-publishing. This post, however, is about how to contact a publisher or agent.

What is the difference between a publisher, an editor, and an agent?

A publisher can refer to an organization or the individual in charge of an organization which releases books. However, an editor is an individual who works with authors directly. In cases where the publisher refers to an organization, it simply means the publishing company as a whole which employs many editors. Editors are the people who work to adapt your book to the publisher’s audiences.

A literary agent (also known as book agents or publishing agents) act as authors’ representatives for the sale and/or licensing of their books with large domestic publishers. As well as smaller domestic publishers. These individuals work to connect you with the publisher and then help negotiate the contract between you and the publisher.

To secure either the services of a publisher or an agent, you can’t just call them up and ask them if you if they will accept you and your book. You have to write a query and send it to them.

It used to be that in order to send a query letter, you had to mail it in and wait weeks for a reply. Now days, contacting literary agents and publishers are usually done via e-mail. You send the query letter and then they let you know whether they want you to submit your manuscript. They may also want to do it some other way. The best way to find out how they want you to submit your manuscript would be by reading their submission guidelines.

Look at a publisher or agent’s website before submitting a query letter or your manuscript.

Study the publisher or agent’s website and learn everything you can about what this person accepts and doesn’t accept. If this agent focuses on selling science fiction, don’t try to get this agent to represent you if you write historical romances. If a publisher doesn’t publish horror, don’t think that that publisher is going to change for you!

The better you’re known by the publisher or agent, the more likely they are to represent you. However, even if they do represent your genre, don’t think that harassing them is going to make them represent you. Calling them on the phone and asking to speak to someone in charge could be a nail in your authorship coffin.

So how do you meet a publisher or an agent? You might go to an event where publishers or agents are present and get to know them at a writer’s conference.

It is also possible that you could get to know them through someone you already know. If you know another author who has published through a specific publisher or has been represented by a specific agent, that person might just be the connection you need.

Whether you’re contacting a publisher or an agent, your query letter should be perfectly written, but that will be a message for another blog post.  First, before writing the query letter, you’ll need to work on dressing up your bio. That will be the topic of next week’s post.


Where to find a Good Editor

Some of us are lucky in that we know people who make good editors for your work. However, not everyone is that lucky, but there is a solution if you’re willing to look around for the right person for your editing job. Hundreds of websites exist where you can find literally thousands of editors. Some of the top sites include:

Upwork.com

Guru.com

freelancer.com

Choose a Freelancing Site to Post Your Job

Upwork is the biggest website in the world created specifically to connect freelance contractors with small businesses, entrepreneurs, authors and artists. registered with the site. Guru.com and Freelancer.com are both much smaller.

Now that you have figured out where you want to post your job, it’s time to post your job so that freelancers can apply to do the work for you.

You may not find an exact match for the type of work you’re looking to find, but you should do your best to make sure you pick the most relevant category so you can find the most experienced freelancers to help with your project.

Naming the Job Posting

When you name your job posting, make sure to be as specific as possible so that you can attract the right freelancers and automatically weed out contractors who are not a good fit for your project. Posting something generic like “Looking for an editor for my book” is a bad idea because you will end up getting tons of freelancers applying who may edit fiction when you have a non-fiction book, or vice versa.

Try to include as much detail as you can when selecting a name for your job. For instance, if you write historical fiction, you would want to be as specific as possible. If it were me, I would write something like: Looking for a freelancer who specializes in Early American Historical Fiction.

Writing the Job Description

Next, it’s time to write a job description to clearly explain what kind of work you need done and what kind of freelancer would be a good fit for your project.

Ask for information like the individuals experience and background as an editor, a list of titles that person has edited, preferably with links to Amazon or another retailer so you can review his or her work. Be sure to ask for a list of references. Also ask for a description of the kind of editing where this person feels that he or she would most excel.

Include in your job description the type of experience level you require for the job. Tell them what kind of editing skills you are requiring. If you’ve utilized good beta readers before looking for your editor, you might just want to find someone who just proofreads. Make sure only to include skills here that are absolutely necessary for the job. The more exact the description of what type of editor you want, the easier you can eliminate those who would be inappropriate.

How to Pay Freelancers

You want to determine how you’ll pay your freelance editor. You’ll either hire them at an hourly rate or a fixed price per project. I recommend a fixed price for most projects so that you can estimate your exact costs ahead of time, rather than paying an hourly rate and not knowing how much it’s actually going to cost you until the work is done.

Invite the Best Editors to Your Job Posting

Once you’ve filled out all the information above and posted your job listing, you’ll be able to invite top freelance editors to edit your work. Go through and invite at least 5-10 top contractors who you think would be a good fit for your job. The best of the best usually never apply for jobs. They only consider work they have been invited to do. So, if you want to work with the best editors and freelancers, you need to invite them to work with you!

Review Job Proposals from Editors

Once you have posted your job and invited a few top freelancers, you should start seeing editors applying to work with you within 24 hours.

What to Consider when Reviewing Editor Applications

Job Success Rate

Work Experience

A Well-written Profile Essay

Their Work History

Send a Message Test

If everything checks out, send a message test. Send the editor a quick note.

Send an email to test if they respond quickly and to take the conversation to your email inbox where you can easily exchange phone numbers or Skype details and schedule a call.

Schedule a Phone Interview with the Editor

If the editor responds to and passes the Message Test, send an email to schedule a time to interview the editor over the phone.

During the Call

During the call, determine if you get along with this person. If they are argumentative, talk too much, don’t listen or are rude, you can immediately tell it’s not a good fit and move on.

Do they show up on time for the appointment?

Are they really interested in you and your book? If the editor doesn’t ask questions about you and your book, they probably aren’t interested enough in editing books to do great work.

Interview Questions

Tell me about your editing experience…

How long have you been working as an editor?

What do you love most about being an editor?

What kind of editing work are you most experienced with?

Do you mostly edit fiction or non-fiction?

What are the most common mistakes you see authors of books like mine making?

What does your typical editing process look like for a book like mine?

How quickly can you turn around my manuscript if it is 80,000 words in length?

How do you normally charge for work like this?

After you’ve asked all these questions and any other questions you’d like to ask, give them time to ask more questions about you and your work.

If you can tell right away it’s not going to be a good fit, feel free to let them know and move on to interviewing another editor so you can find a good fit.

I recommend interviewing at least 3-5 editors before trying to select the best one for you. This will ensure you get as much experience as possible and can see what options are out there. Hiring the first editor you talk to is usually a good recipe for spending too much and not getting the right editor for the job.

After you’ve conducted your interviews, it’s time for one last step: the sample edit.

Get a Sample Edit

After your interviews, you’ll want to ask each editor you’re still considering working with for a sample edit. A sample edit is a free edit for about 1,500 to 2,000 words of your book so that the editor can show you their skills and the kind of comments and suggestions you should expect if you hire them to edit your entire book.

If you’re a first-time author and have never hired an editor before, don’t hire an editor without first getting a sample edit. An editor can have a great resume and speak eloquently on the phone, but the real test of their skills is how they edit your book, and the sample edit is a quick, free way to find out.

Remember Self-Editing

Before you send your book to the editor, do at least one extra round of edits by yourself. The more you can hone your manuscript, fix typos and grammatical errors and improve your book, the more time your editor can spend on important edits and suggestions and the less it will cost you overall.

Hiring Your Editor

After the interviews and sample edits, it’s time to hire your editor. You will definitely want to create and have both parties sign a legal contract that clearly states the editing services being provided, the amount you will pay, how much time the editor has to perform the work, and other basic information.

Working with Your Editor

After your editor sends back the edited manuscript with tracked changes and comments, the first thing you’ll want to do is read through all the edits and comments and accept or reject any changes. After you read through the edits and make a few updates, schedule a call with the editor to discuss the book.

Proofreading

After you’ve gone through the editing process, hire another person as a proofreader or have your editor do that final proofreading.

Now your manuscript is ready to send out to agents or publishers or to format for self-publishing.

Get Your Copy of The Comprehensive Novel Editing Checklist

If you have a first draft that you would love to publish this year, be sure to pick up a copy of my novel editing checklist and if you haven’t already, sign up to make sure that you never miss a post of this editing series. 

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