The Traditional and Indie Publishing Debate
Many authors are now hybrids, using both traditional and indie forms of publishing for different projects. Whether you go with traditional publishing or indie publishing or a combination of the two, you have more options than ever when it comes to publishing your novel.
Traditional publishing is the established system of getting a book deal. This system requires that the writer submit their manuscripts through their agent to publishers and receive numerous rejections and then if they are lucky, are eventually accepted and a contract is signed. The book will then go through more edits and is eventually be published.
Why Traditionally Publish?
Almost every author I ever met (including me!) suffer from self-doubt and wonder if their work is any good. By making it through the process of getting an agent and then a publisher, the approval of these gatekeepers validates your work as good enough for publication. Even if the book doesn’t sell well, somebody thought it had value. If your definition of success requires a traditional deal, Indie publishing is not for you!
Print distribution in bookstores is easier. Traditional publishing excels at this and their model is primarily designed to facilitate print distribution to bookstores and even libraries. Salespeople go around the stores and make it very easy for book buyers to choose books and the publisher minus any returns. Books are usually in the store for a month and only remain if they are perennial sellers. (Few books reach this perennial status.)
Authors expect traditional publishing to include editors, cover designers, formatters and marketing to help provide as part of the contract. Marketing effort is usually related to how much is invested in the project, and marketing for publishing companies is usually to booksellers rather than to individual consumers. You should receive a sales team to take books to bookstores. If you’re one of those authors who say you “only want to write,” and let the publisher handle the rest, traditional publishing would be your best option.
If you are asked for money, then it is NOT a traditional publishing deal. It’s likely to be a vanity publisher and you should be very careful. With traditional publishing, you have no upfront financial costs, and you’ll usually get some kind of advance against royalties. The typical advance for a first novel is $5000. The typical advance for later novels, after a typical number of 5-7 years and 5-7 books is $12,500. Having an agent at any point increases your advance. If you get an advance of $5,000, you then have to earn more than $5,000 out of your royalty rate on book sales before you get any more money.
Literary prizes and critical acclaim are more likely through traditional publishing, and many literary prizes aren’t even open to indie authors
You’re more likely to become a brand-name author if you go with traditional publishing.
The Downside of Traditional Publishing
Writing and editing will be the same regardless of how you want to publish. After that, you will need about a year or two to find your agent. After that, it might take you another year or two to get a publishing deal. Once you have a publishing deal it might take another two years or more to get your book launched. (If you self-publish, once your book is edited, your book will be up on Amazon within a few hours and you can get your first check 60 days later.)
Once you sign a contract with your publisher, you’ll loss of creative control. I have heard horror stories about authors whose books have titles, covers and marketing angles that aren’t to their liking. You may disagree with an editor, and not be able to do anything about those changes that you dislike.
You’ll find that you have low royalty rates. Royalty rates are a percentage of the sale of the book. They’re likely to be net, so all the discounts, returns, marketing costs and overheads are taken off the total before your percentage can calculated. Royalty rates for traditional publishing will usually range between 7% and 25%, with the latter on the unusually generous end. The rates will also differ per format (e-book, hardcover, paperback, audio). Royalty reports may come every six months for a specific period of sales and many authors say those reports are difficult to understand. What you get in your bank account may not agree with those reports, so you won’t know until you see the money in your account what you’re actually getting.
More often than not, authors have to do their own marketing and agents will often seek out authors who have a ‘platform’ or at least an email list of readers. If you do want a traditional publishing deal, make sure you ask them what is included for marketing and that your book is not just a part of their bookstore catalog.
Potentially prohibitive contract clauses are also a problem. You might find an agent who is willing to represent you, but their contract might insist that they get a percentage of everything you write even if they didn’t negotiate the contract (including self-published work). If you come across that keep looking until you find an agency who really will help you build your brand and not just skim off the top of your earnings.
Don’t agree to ever allow the publisher to take World English rights in all formats. Your agent’s job is to keep as many rights as possible when you’re doing a deal so you can exploit them in other ways. For example, you could just sell the US and Canada rights and then self-publish in the rest of the world. Be careful with formats as well, especially audio books. Many publishers take audio rights as part of a contract and then they don’t actually end up recording it. You don’t want that to happen. Either keep audio rights or specify a length of time the publisher can keep rights before they revert back to you.
Look at the term of the contract and the rights reversion clause. It used to be that there was an out of print clause. However, because of print on demand and e-books, a book never goes out of print. You have to consider when you want to get your rights back.
Once you sign a contract for your book, the book may legally belong to the publisher for the life of copyright which is the life of the author plus 70 years after you die. You should also look at the do not compete clause, because this may stop you publishing during the term of the contract under the same name, in the same world, or with the same characters.
You have to really consider whether the money for the contract is worth it. This is where many authors think, “Perhaps this will be the only contract I’ll ever be offered and might just lose out.” These authors will sign deals because they’re grateful to be offered anything. They don’t value their own work. They don’t realize that publishers are there to make a profit. They are not doing you a favor by publishing your book. They are businesses and they want to make money. What they are offering you is simply that an offer. You have to determine for yourself what you’re worth. Don’t under-value yourself. If they don’t offer you a better contract, take your manuscript to someone who will or go out on your own. Your publishing choice is more a question of the outcome that you want to achieve and your definition of success. Don’t let the publisher think they have the upper hand. You have more control over the situation than you realize.
The difference Between a Self-publisher and an Indie Author
Some people like to differentiate between a self-publisher and an Indie Author. They believe that self-publishing implies that you do everything yourself and you do it as a hobby. On the other hand, they believe that being an indie author or Independent author is a person who has decided that he or she was in charge of the process and that the indie author is a freelance professional who creates a quality product for their business.
I personally don’t create a distinction between self-publishing and being an indie author. I see myself as a publisher who determines how my book is published. I determine who edits, who designs the cover, I determine my bio and my book description, I even determine how my book will be formatted. However, that doesn’t mean that I do all of the work myself.
I didn’t become an Indie author or self-publisher as a last resort because I couldn’t find a publisher either. I chose to be an Indie author because I like the control that I have over my own creative process and the end product.
Pros and Cons of Being an Indie Author
As I mentioned before, I personally am an Indie author because I have complete creative control over content and design of my book. Many authors who were in traditional publishing and are now in self-publishing talk about how painful it was to have a cover or title they hated, or to have editorial choices imposed on them whether they liked them or not. As an indie, you can work with freelancers of your choice and you can choose the ultimate look and feel of your product. If you don’t like a freelancer’s work, you can choose to go with someone else. If you title a book or get a cover design that you decide you don’t like, you can retitle or redesign the cover. Just upload another file. The start-up mentality that mistakes are how we learn. Failure is just a step along the way makes this easier for us indies. Print on demand and e-books make it so we don’t even have to have a warehouse of books lying around.
Being an Indie Author gives us a sense of power that traditionally published authors don’t have. Many traditionally published authors feel insecure and downtrodden by the publishing process. They feel they can’t make a decision alone or take action to improve their situation. It doesn’t matter that they are the creative individuals who created the stories in the first place.
After signing a contract, traditionally published authors have no control over anything about their books from the creative process to how the book is marketed. Indies, on the other hand, have a locus of control making them happier and empowered. The Indie Author can learn new skills, work with other professionals, make mistakes and learn from those mistakes. You don’t have to ask for permission, you’re the one in charge.
As an Indie author you are able to get your book to market much more quickly. Once the writing time and editing are finished, you are ready to publish your novel to Amazon, Kobo, iBooks, Draft2Digital, Smashwords and any other stores. Your e-book is usually for sale within 4-72 hours. You’re paid 60 days after the end of the month of sale. If you’re doing print on demand, you can get that up within 24 hours if you approve the formatting online. Next you get a copy of it and look it over to be sure that the book is as perfect as you think it is and then you can order books to sell or give away to reviewers
Indie authors get higher royalties. If you price your book between $2.99 and $9.99 (on Amazon), you can get a 70% royalty. Traditional royalty rates usually fit in the 7-25% bracket, averaging 10%. It’s clear that you need to sell far fewer books in order to make the same amount of money with self-publishing. However, don’t think that you’ll get rich overnight. You can’t guarantee that you’re going to make as many sales as you would’ve done with a traditional publisher, or indeed, any sales. That is more to do with genre, investment in marketing and sometimes pure luck. An author doesn’t build a business on luck. You have to learn about marketing. However, you have to learn that anyway no matter if you do it independently or if you’re working with a traditional publisher.
You can sell in any format, in any global market because you own the rights. You could even sell movie rights. Many traditionally published authors have sold World English rights for all formats and yet have barely sold outside the usual country markets because their books aren’t even available in most places in the world. Many have also sold audiobook rights. but the books have not been produced. If you’re in this situation, revisit your contract. What do you have the rights for? You can self-publish in countries where you haven’t sold the rights.
Indie authors can reach significant audiences with their niche books that traditional companies will never take. Publishing houses expect a certain number of sales so if you’re writing a niche book on a particular style of business, for example, then you might find the market is too small for a major publisher. However, the market size may well be enough for you to satisfy your own definition of success with smaller sales and lower income. You can also price as you like because your book will appeal to a very particular reader who might pay higher prices for this rare information.
You can use indie publishing to get you into publishing in general. If you self-publish and do well, agents and publishers will come to you. You don’t have to beg and plead for attention. The power balance is reversed, and as an empowered indie you’ll get much better deals than a first-time author with no book sales history.
Those the Positives, but What are the Negatives?
One problem is that you need to do it all yourself or find suitable professionals to help. As with any new skill, it’s a steep learning curve. You still obviously have to do the writing and marketing, but you also have to do the publishing. You have to find an editor (or two would be better! One for content and the other for proofreading) and a cover designer. Then you need to work with them, determine the title, get your work formatted into e-book, print and any other format you want. It does pay to find suitable professionals to help. If being in control is your definition of success and you need to run all aspects of the business isn’t something that you want to do, then going the indie route might not be your best route. You have to love all aspects of the writing business. You have to love everything from idea generation to creating words on the page, to the technical side of things and everything in between.
You’ll get no prestige, kudos or validation by the industry. Though the stigma lessens every day, success is still connected with traditional publishing. If it hurts your feelings to be considered inferior, then maybe you should not consider going indie.
For professional results, you’ll need to pay for supporting services upfront. If you’re any kind of writer, you’ll need to spend some money on professional money anyway before submitting to an agent and spend money on writing books and courses. So even if you intend to go with a traditional company, you will need a budget upfront.
It’s difficult for a self-published book to get print distribution in bookstores. It’s certainly not impossible and if you care about print distribution then take a look at Ingram Spark. However, you’re much more likely to get bookstore distribution with a traditional publisher, as that’s essentially their business model, has been, and probably will be for a long time. They are the experts for printing and distributing physical products. My personal choice is to use Print on Demand through Lulu.com so my print books are available on most online bookstores.
Most literary prizes don’t accept indie books and most literary critics for mainstream media won’t review them. If your definition of success is literary acclaim, the traditional route is your best option.
There’s no debate for me. LOL I tried the traditional route, fell short,, and now I’m quite comfortable in my own little self-publishing world.
I don’t think most people realize that so-called traditional publishing is not so traditional at all! I think I will write a blog post based on the history of publishing and how from Gutenberg to the late 1880s, almost all authors were “self-published” and what we call traditional publishers did not yet exist!